The Elephant in the Room
Acrylic on marine plywood, soft plastic 355x220x90 cm
SLOT
20.12.2015 - 20.01.2016
Anie Nheu’s art is about space. Most literally in this piece, it is the space between 2 pictures. This is the gallery exhibit almost always overlooked, the artefact essential to all museums, it’s the place where something isn’t, as Anie Nheu describes it, the Elephant in the room.
In this piece, the gallery-like space around the work has been artfully “sculptured” into a form of equal importance to the objects that make up the exhibit. And it is the art of a dance. A painted colour doesn’t cover an entire surface; it leaves a colour behind that pushes the form back while correspondingly the wall pushes forward. At another moment holes cut in the work offer lagoons of white wall while offshore two islands of colour seem to have been deposited, “Spratley like”. This picture is not presented on a wall, it’s colonising the wall. Gently underlining the fact that it has taken ownership of the space. Gracefully wrapping around a corner in the wall and quietly stepping off the wall onto the floor this work has arrived in our space, subtly merging with our space as we observe its elegant form.
In her notes on the piece, Anie Nheu describes her work as “identity formation” a process where the obvious can go unsaid. Here among the morphing relationships of her forms
she reads the emotive content of the work. t replicates her life as a migrant. Travelling with her parents from Taiwan through the 3rd world to Australia what might have been a firm foundation for most of us was fluid for Anie. Things have never been just one thing for Anie. And if we think for a moment few things are ever just one thing.
This elegantly restrained work approaches the edges of most art and fearlessly steps across them. With out hesitation it side steps the self-serving clatter or transactional enterprise and in its place offers us poetry reflection and silences that otherwise would remain unseen, the elephant in the room, perhaps.
ctre of what is perceived.
Tony Twigg